Wang Zhiyuan, a native of Xiuning, Anhui Province, is an outstanding art educator of the Xin’an School in the early Qing Dynasty. He devoted thirty years of hard work and finally completed his masterpiece “The Art of Painting in Mountains and Halls in the World” in the second year of Yongzheng. Influential works of art. This material is excerpted from “The Art of Painting in Mountains and Halls in the World”.
The way to write blue, start with four pen ears. Its charm is floating, and it should not be dusty and tacky. Cong orchid leaves must cover the flowers, and when the leaves are inserted after the flowers, they must also be dense and powerful, and the intention is to write first. From the four leaves to dozens of leaves, the few are not awkward, and the many are not controversial, and they are famous.
The method of using a pen before writing is the same as that of writing bamboo. However, Ye Qi wrote in four strokes that the clusters are not chaotic, so there is this rule in the chest and ears. Who are the rules? That is, the method of hand-level interaction in the spectrum. The difference between orchid leaves and huiye leaves is the difference between rigidity, softness, thickness and thinness. It is not as thick as grass, and not as thin as chives.
Writing leaves from left to right is smooth and easy, and from right to left is reverse and difficult. But if you are familiar with it from right to left, then from left to right, you can do it if you don’t get used to it. It is necessary to make the left and right and the wonderful, and then the better.
The mulch is the top of the orchid leaves, and it is more suitable to be in power, and the superior and the inferior are affectionate, the simplicity is not sparse, and the complexity does not overlap, but less is more expensive.
When you start the hand, the tip of the pen is slightly toward the edge of the leaf, and when you go to the turning point, the tip of the pen is in the middle, and you must use strength to move backwards. It is soft and weak, it is grass, and it is not enough to be seen. . Ye Zhi is firm and soft, and he must be intentional when he writes. Rigidity is not rigid, softness avoids weakness, and people can understand its meaning.
When the two clusters interact, it is necessary to know that there is a guest and a host, and there is a care.
It is difficult to write orchids, and it is difficult to write cymbidium leaves and flowers. If one arrow fails, there will be no business. Moreover, the leaves are good, and you can’t cover them with flowers. If there are bad benefits, if you put flowers in the middle, you will become a beauty.
Although writing with a pen is the same as writing bamboo, it must first be to gain power. Long, short, high, low, settled properly. If the pen has not been sent, it must avoid crossing in front of it. Once the pen has been sent, it must allow room for the back. If you add a few leaves after flowering, the clumps will be deep and will not fall into the superficial disease.
One stem counts flowers, or seven, or five, and judge the number of leaves to match its flowers, and have an attitude. Leaning back, touching and empathetic. Only the flower stem is the most difficult, but after a long period of acquaintance, the vertical pen will become new, and then it will be handy, and the older it will become, the more amazing it will become.
The petals enter from the outside, don’t let them come out from the inside. If they come out from the inside, their discrimination is too sharp, and if they are added with a twist, they will become soft and ugly. The fragrance of the king, is it safe to have this?
Good The vivid portrayal of beautiful people is only in Ah Duzhong. The orchid has several petals, which is like a depiction, but the whole flower is vivid, and only a few scorched ink in the center of the flower. Zhang Sengyao’s finishing touch should not be inadvertent.
The center of the dessert is the front of the flower, and the two sides are exposed, which is the back of the flower.
Zheng Suoweng writes that the orchid does not touch the slope, let alone Yu Shi? For example, Yunlin’s landscapes do not write about people. This expert’s opinion is occasionally touched, and it is inevitable that it is unreasonable. Later generations did not take advantage of it to avoid it. Every time I make Molan, I often use strange stones, or else bamboo or turmeric, etc., with a little embellishment, which not only damages the vividness, but also makes Rand not lonely. An Yong is hypocritical and muddy, and is curious to avoid vulgarity?
The method of writing orchid is much the same as that of writing bamboo, but holding the pen and writing the pen, and taking the posture and leaning back, are all the same. However, Zhu’s attitude is elegant and unrestrained, like a talented person with extraordinary physique, and a period of elegance and elegance can still be imitated. But Lan Hui’s nature is naturally noble and pure, like a housewife and a heroine from the left door, which makes it impossible to offend. If the common pen is used for this, it will fall into the lower generation of concubines and concubines, which is not enough to watch. Scholars want to do it with a solemn physique, and the common man does not lose his temperament.
The stone is divided into three sides, which is the way the ancients wrote the stone. Only know the law, but without the flow of life, it is not a stone. However, one must want to be angry and flow, which is actually difficult. However, there is no dust in his chest, and he writes likeIf there is a god, it is so vivid that it is self-sufficient without seeking.
Writing stones are like flowing clouds and flowing water, not stagnant. Ning is stubborn and not showy, Ning Zhuo is not clever, and Ning is rough and old, not weak. The main purpose of this writing is also.
Orchid and bamboo stones should only be chopped with a big axe. Although there are many other methods, they are not suitable for use. Not only unworthy, but also chaotic. Try to take the ancients’ pen and ink to see it, and it shows that the rest of the words are not wrong.
First look at the direction of the orchid and bamboo, and then add the stone.
Writing about a stone should be thin but not fat, ugly but not elegant, rough and not stable, stone is finished.
A stone must first write the outline, like You Long Yaojiao, the stone is natural and vivid, the outline is dull, even if it has a good posture, it is useless.
Shi is stubborn and stubborn, and when written, it must flow. The ancients called the stone Yungen, and also called the stone without ten steps. As the name suggests, it can also be known. The spirit is all in the flow, and only this is the meaning when writing.
The moss will point to the diseased pen of the stone. If there is no disease, the moss may not be touched. Later generations do not know its meaning, and every time they live in a stone, there will be more and more. It can be said that the Buddha’s head is filthy.
There are various types of moss, such as horizontal dots, vertical dots, oblique dots, plum blossom dots, and loose hair dots. Between a picture, two kinds of moss shall not be used.
The moss should be gathered in three or five groups, and it should not be separated. If there is too much, the stone will not be visible.
Cultivating bamboo and lush forests and living in a barren land? However, in the gaps between bamboo roots and rocks, it is suitable to embellish thin grass, and it is also suitable to use it on the side of Cymbidium. No gentleman can govern savages, and no savages can raise a gentleman. Can the two be neglected? If Zheng Soweng’s poem said: “Purely a gentleman, there is no villain.” This is the blue of Zheng Zi, and I dare not follow it.
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Zhi is also grass, its physique has absolutely no movement, it is elegant in the bottom of the literati’s pen, and in the layman’s pen Bottom is evil. In the writings of Uncle Lantian and Zhu Xi’an, it has been through the ages. The beauty of why it is so cannot be described in words, and there is no way to find the rules of writing. Scholars should seek it outside of the physique, but also within the look.